Saturday, May 21, 2011

Dream Machine {Originally released in 1981 for RCA Records / Reissued for CD in 2011 by Funky Town Grooves USA}

The Dream Machine was a Los Angeles based band assembled by legendary Motown producer Norman Whitfield. Produced by Norman himself, they consisted of former Undisputed Truth members, bassist/lead and background vocalist Melvin Stewart, lead and background vocalist Lloyd Williams, along with lead and background vocalist Joe T. Harris. Rounding out the band are powerhouse lead singer Taka Boom, keyboardist/trumpeter James R. McKinney, Jr., keyboardist Ron Artis, and last, but certainly not least, drummer Pete Carr.
 
In 1981, RCA Records released their one and only self titled recording, "Dream Machine". This 8 song impressive album ran the gamut from space funk, smoothed out R&B, mid tempo numbers, and tender ballads. Like so many groups before and after them, they were never given the chance to fully develop into a full fledged group. Let's check out some of the highlights of this incredible sounding record and hear what could've been a "Sweet DREAM"
 
"The Force", is a Norman Whitfield penned jam that falls in the "space funk" category I previously mentioned. It incorporates a hard driving rock n roll sensibility, coupled with the funk infused sound that would expect in a Norman Whitfield production. Taka's dynamic and 'take charge' lead vocal performance demands your utmost attention as she belts out notes that only a true singer can deliver. The fuzz guitar, the thumping bass, and hard pounded drums supplements the groove as it crawls under your skin to drive you into a frenzy. The reggae breakdown in the bridge blends in like a hand in glove on the otherwise funk n roll influenced track.
 
"Shakedown", is a pulsating foot tapper in the mode of The Gap Band, but lays down it's own set of rules of funk ! The bass synthesizer is the primary standout instrument, but the electric guitar holds it own, as well as the Brazilian instrument 'quica'. The collective group vocal chants surrounds Taka's powerful and rhythically charged lead vocal delivery. The dance floor summons you to shake your booty down as you're instructed to in the song !
 
On "All My Love", we have no other choice but to dim the lights and let the wine flow. The bassline is very reminiscent to the one heard in The Temptations' "My Girl" {Now you see the Norman Whitfield connection here. The beautifully arranged live strings are a heavenly treat when played in conjunction with the easy flowing tone of the track. You can't help but sing along to Taka's lovesick 'shoo be do be do's' as you will find yourself doing. The tenor male lead vocal is performed in a smooth and mellow tone. The backing vocals are in tune and sound beautiful against the backdrop of the even tempered rhythm section. I can't decipher which male lead is actually is singing due to the fact there are two male lead singers in the band. Say ummm Taka, could you help me out here please, the album liner notes doesn't specify which one ? Thank you ! :-)
 
"Living Too High", is a song that should be required listening to anyone that obtain wealth too fast and think the gravy train is going to keep rolling along. Once again, the funk is back in full effect ! The acoustic piano get to shine a little on this particular track, as the bass and rhythm guitars hold it down, while the drummer keep the backbeat, well, 'in the pocket'. Taka's fiery and emotion fueled lead vocal, once again, hold center stage.
 
One of my favorites on this album is soft and sweet ballad, "Don't Walk Away". This is clearly Taka's song ! SHE KILLS IT ! Her lead vocal performance is so heartfelt you'll just want to hand her hankerchief and say, "There there Taka, everything's gonna be alright". The track itself calls for those lights to be dimmed, and even MORE wine poured ..... Wow ! With all this light dimming and poured wine, you might mess around and conceive a baby from all of this !! But that's effect this song will have on a consenting couple when this is thrown on .... Oh ! You don't believe me ?! .... Alright ! When you purchase this CD ... and you will ;-) ..... you'll see what I mean. Uuh hmm, just go ahead ! When you get a taste of that electric piano, that ARP String Ensemble synthesizer, that warm bassline, the bongas gently playing in the background, trust me, those under garments will be flung in the air !!
 
In typical major record company fashion, some (cough cough) "genius" at RCA Records at the time felt is wasn't worth the gamble to fund another Drean Machine album, so they were unceremoniosly dropped from the label.
 
**** ...... And For MAY 21st 6PM DOOMSDAY SAKE WHICH NEVER HAPPENED, does it always have to be about the bottom line with these major record companies ?!?! ****
 
If the corporate suits at RCA at the time had given Dream Machine the chance to grow and develop as a band, they could've made some serious noise in the music industry, all they needed was a second shot. With that being said, let's celebrate the reissue of this fantastic album in hopes it'll take you back to a time when TRUE MUSICAL TALENT REIGNED SUPREME ! You'll hear no auto-tunes, no sexually explicit lyrics, no sampling, no sequencing on this Dream Machine record, just true musicianship and original ... GOT THAT ?!.... ORIGINAL melodies ! Ones that will stay with you for years to follow !
 
To hear preview samples and to DEFINITELY purchase, please visit Funky Town Groove U.S.A./UK Official Website at :
 

Waldo "Love Don't Grow On Trees" {Originally released in 1982 for Columbia Records / Reissued for CD in 2011 by Funky Town Grooves U.S.A.}

Waldo is an American soul/funk band assembled and produced by the Mainline Productions team of Willie Lester and Rodney Brown. This capable duo helmed recordings by Bobby Thurston, Esther Williams, Gayle Adams, and the late songtress, Ms. Sharon Redd. Waldo consisted of keyboardist Calvin "Koco" Brunson, bassist/lead vocalist James T. Brown, lead vocalist/co-producer Tyrone Lester, guitarist Melvin Harrod, and drummer Perk Jacobs. Additional musical support came courtesy of percussionist Carl Lacey, keyboardist Louie Oxley, and guitarist Rodney Brown.

Waldo only recorded one album for Columbia Records in 1982, the funky and groove ladended, "Love Don't Grow On Trees". This fantastic 8 song recording has something for everyone with discerning tastes. You'll hear up tempo funky tracks, party themed anthems, tasteful ballads, mid tempo'd groovers, and just all around feel good music. Let's explore some of the highlights of this overlooked record and get the funky people of the world up to speed of this exceptional band and sonic offering.

"Looks Can Be Deceiving", is an infectious slice of funk that will beckon you to get your body and feet straight to the dance floor. This jam comes "live-and-direct" with a throbbing electric bass, finger lickin' rhythm guitar licks, groovy Fender Rhodes performed chords, a cool acoustic piano solo in the bridge, and McFadden & Whitehead-esqe styled vocal patterns. The ultra tight horns keep this party in full throttle. A great opener to and equally greater album !

"You Bring Out The Freak In Me", is the funky fun side of Waldo, one of which Parliament/Funkadelic's George Clinton would be proud. The coolness of the cowbell, the group background vocal chanted hook, and the driving rhythm of the electric piano is the stuff great funk songs are made of, and this toe tapper exemplify this to a tee ! The funkiest elements that brings this track to life are the bass guitar thumps, as well as the playful and cosmic space vocal sound effects. The care free lead vocal exchange of both Tyrone and James adds that soulful 70's touch that will you back to funk infused vocals of The Ohio Players, and P Funk of course. It's a fun song to say the least !

Waldo slows down the pace a bit on the album's title track, "Love Don't Grow On Trees". This beautifully arranged and performed ballad points to everything "Heartache's Ville". The lyrical subject matter is that of a couple going through a painful split, and I'm quite sure we've all been down that road a time or two. The rhythm section of the bass, drums, guitar, and keyboards all blend well with the emotion felt lead vocal performance. An excellent synthesizer, presumably a Mini-Moog solo, courtesy of Koca Brunson, is the 'cherry on top of the sundae' of this gorgeous selection. The subtle horn arrangements and performance are nicely interwoven within the rhythm parts. If my ears are as sharp as I hope they are, I sense Koco used the ARP String Ensemble Synthesizer to give the song added color and depth.

"You Get What You Pay For", reminds me of a musical backdrop for a '70's blaxploitation flick. This up tempo groover feature some very nasty Hohner Clavinet licks and warm sounding Fender Rhodes chords, as do the 'Al McKay formerly of EWF' rhythm guitar styled licks. The bass guitar performance just wraps you around it's fingers with it's 'thump and strum' prowess. Those "Tower Of Power/EWF's Phenix Horns" like arrangements is nothing short of spectacular. The gruffiness of the lead vocal and strong background vocal support will sure 'nuff guarantee the listener a trip down to "Funk Land".

"When It Comes To You", is yet another, feel good toe tapper that'll have the heads bopping, fingers snapping, and those two hands put together. One sonic standout on this song is the well recorded and mixed horn parts, they just jump out at you, without engulfing you too much. The warm roundness of electric piano, the 'tried and true' rhythm guitar licks, the 'funklordness' play of the bass guitar, and, once again, the aggressive and roughness of the lead vocal reeks 'pure sonic delight'. The falsetto performed background vocal parts are in harmony, but most important, on pitch. Once again, Koco Brunson blesses this track with a cool and down right funky synthesizer solo ..... and speaking of the horns, it's a shame those horn players are not credited in the liner notes. They too deserve their props as they were just as relevant as the band members themselves.

"The Love I Feel", is .... Hands Down !! .... and by far ! THE BEST TRACK ON THIS ENTIRE ALBUM !!! .... though they're all great, but this particular track had HIT written all over it, and why Columbia Records at the time didn't pick up on that, is beyond all comprehension ! Please understand, ALL these talented musicians and singers contributed immensely to the greatness of this song, let me make that perfectly clear ! .... But to me, and this is just my opinion folks, Koco Brunson's keyboard/synthesizer performed parts, and quite possibly Louis Oxley's contribution, made this track shine the brightest. I love the way he ... or they, used the synthesizer to augment the rhythm section, with it's sonic paintings and textures. The synthesizer fills, which I'm assuming once again, are performed on either the Oberheim OB-Xa or Prophet 5 Polyphonic, gave this track it's "umph", and that my friends, made this song a joy for me to listen to over and over and over and over and over and over ..... phew ! ..... and over and over and over and over and over ......... one more, and over ..... again ! :-)

The 84 million dollar question I'd like to ask is why wasn't there a follow up album ? If given the chance to just record one more album, they had the potential to breakthrough like so many of the self contained R&B bands during that time period. Since there wasn't a follow up, let's cherish and appreciate this record as it will give you many years of enjoyment !

Musically Yours,

Ran Man

To preview all songs and to purchase, which I strongly recommend you do, please vist Funky Town Grooves U.S.A./UK Official Website for details :

www.funkytowngrooves.com/FULL-Reissue-Catalogue_NEW-RELEASES/56/Waldo-Love-Dont-Grow-On-Trees/3223