Saturday, April 16, 2011

Brenda Russell "Two Eyes" { Originally released in 1983 on Warner Brothers Records / Intelligent Idea To Have This Album Reissued For CD in 2002 on Spy Records }

Quintessential singer/songwriter/musician, fellow Brooklyn, New York native, Brenda Russell, written some of music's most treasured and beloved songs. Whether they're recorded for herself, or the many artists that covered her compositions, Brenda Russell's songs are some of the most recognizable in recorded music history. Most people may know her best from such classic recordings, like 1988's "Piano In The Dark", and depending how old you are, 1979's "So Good, So Right". But on this nine selection, Tommy LiPuma produced, 1983 Warner Brothers Records MASTERPIECE, "Two Eyes", she created some of the FINEST recordings in her entire career, I think.
 
This landmark, and terribly overlooked album, features some of the most high in demand session musicians and vocalists the music industry had to offer during that particular time. Those musicians include, keyboardist/saxophonist, Larry Williams, bassist Nathan East, drummer John "JR" Robinson, film composer extraodinaire/keyboardist, James Newton Howard, keyboardist/singer Patrice Rushen, keyboardist/producer megalith David Foster, singer/guitarist Christopher Cross, synthesizer wizard Robbie Buchanan, percussion master Paulinho da Costa, the late great session guitarist David Williams, fantastic keyboardist L. Leon Pendarvis, and a slew of extremely gifted heavyweight musicians and vocalists. To this very day, a lot these musicians are still in demand. 
 
Let's take another look at an album, I hope, will get the well deserved recogniton, and radio airplay, it did not receive back in 1983 ...... and still to this day, does not receive. I'm going address this issue later in this retrospective piece, and possibly come up with a plan to change this horrible injustice to this recording. Just hang in there with me ! ....... Oh ! Trust me, it's going to get better ! ;-)
 
"I Want Love To Find Me" : {Words & Music by Brenda Russell and Bill LaBounty}
 
The mid tempo'd and feel good nature of this optimistic themed song, is the perfect opener of a great album take will take you a wonderful musical journey. Brenda's in fine form here as she sings in her trademark, sometimes whispery, sensual alto voice. The Fender Rhodes chords as played by L. Leon Pendarvis, supplements the bass synth stylings of Robbie Buchanan, and Bill LaBouty's well placed acoustic piano parts quite well, as well as David Williams' harmonic and beautifully rhythm guitar lines. The Seawind Horns performance delivers the added spark to bring this song home.
 
"It's Something" : {Words & Music by Brenda Russell & David Foster}
 
Though wonderfully interpreted by Lalah Hathaway on her brilliant 1990 Virgin Records debut release, Brenda's original verison here, too, is melodically and rhythmically arranged to perfection. Brenda's lead and background vocals is the star of the party here, as they're performed on key, on pitch, and just sound sheer heavenly. David Foster's Fender Rhodes and synthesizer performance, Nathan East's superb bass playing, David Williams' cool guitar licks, and JR Robinson's drum performance, are the key elements that hold this jazzy and soothing track together.
 
"Hello People" : {Words & Music by Brenda Russell and Michael McDonald}
 
This upbeat, danceable, and festive sounding track find Brenda in a comfortable zone as she sings will exurberance and pure delight. The presence of Michael McDonald on Fender Rhodes is surely felt as you can slighty hear the chords used on his hit, "I Keep Forgettin'". Nathan East's lively bass guitar lines, and synthesizers, more than likely the Prophet 5 and/or Oberheim OBX-a, gives the track an aural soundscape that's very infectious. The late drummer, Toto's Jeff Pocaro is featured here on Tambourine, as JR Robinson hold down the drum chair. This song is truly one of many shining moments on this album.
 
"Two Eyes" : {Words & Music by Brenda Russell}
 
This track has got be, hands down, one of the greatest songs in Brenda's songbook. It's mid tempo, mellow, slight AORish (Adult Oriented Rock) feel, comes complete with, once again, the distinctive Fender Rhodes performance, and chords of L.Leon Pendarvis, the Rock N' Roll infused fuzz guitar of David Williams, the steady back beat of JR Robinson, and the magnificent triangle nuances courtesy of Paulinho da Costa. It's a song I could easily hear on Adult Contemporary radio. Once again, this truly one of Brenda's excellent performances, both in the lead and background vocal chores. An epic song to say the least !!
 
"Stay Close" : {Words by Brenda Russell & Music by Dave Grusin's brother, Don Grusin}
 
What Brenda Russell project is complete without a ballad ? On this particular song, romanticism reigns supreme here. This is a "Wedding Song" du jour. The shared keyboard work of James Newton-Howard and co-writer Don Grusin, paints a picture of a couple alone in a cafe somewhere in France, having two glasses of red wine. Once again, Nathan East's bass guitar performed lines will just drown you in love, as does the nimble soulful rhythm guitar pickings of David Williams. Brenda's emotional and passionate vocal delivery is just as beautiful as the song itself. You simply cannot go wrong with this one for the Slow Jam menu in your iPod.
 
"Jarreau" : {Words & Music by Brenda Russell}
 
Here we get to hear Brenda on acoustic piano for the first time. This reggae, brazilian influenced song is yet another standout track on the album. Obviously dedicated to her then Warner Bros. labelmate, Al Jarreau, she scats and sings like that of Mr. Jarreau, while delivering some of her most memorable performed verses in an almost monotone whisper. But it works just fine on this song. Brenda's beautifully acoustic piano parts, alongside L. Leon Pendarvis's classic Fender Rhodes performed chords and runs, are like a hand in glove, they fit just right. You can hear the musical chemistry in both their performances. The rhythm and horn section are rhythmically tight as ever.
 
"New York Bars" : {Words & Music by Brenda Russell} - {Refer to the YouTube Audio Clip At The End Of This Retrospective Review}
 
This song is my personal favorite on "Two Eyes". This mid to funky tempo'd number just grooves from start to finish. From the opening acoustic piano line to the blazing saxophone solo by Larry Williams, this song has "New York Anthem" written over it. Look, if Frank Sinatra and Jay-Z/Alicia Keys could have a "NYC" themed hit, why can't this one be ? Brenda's lead vocal delivery on some of the verses is down right funky and NYC attitude-ish, but you gotta love it ! ... and you guessed it, the rhythm section held it down once again on the melody and vibe.
 
"I'll See You Again" : {Words & Music by Brenda Russell}
 
On this Beatle-esqe sounding tune, we hear Ms. Russell on acoustic piano, playing in perfect harmony with L.Leon Pendarvis's omnipresent Fender Rhodes. This time around, we're blessed with a harmonica solo from none other than Mr. Steveland Morris a.k.a. Mr. Stevie Wonder, and what a blessing it is ! James Newton-Howard's brilliant synthesizer work, Nathan East's single bass note performance, JR Robinson's laid back drum work, Caleb Quaye's ching chang electric guitar, and Paulinho da Costa's always on point, creates the perfect backdrop for this laid back and mellow tune. Another beautiful work of art, one to have in the repeat mode in the iPod.
 
"Look Down, Young Soldier" : {Words & Music by Brenda Russell}
 
I mean .... I .... I .... I can't even find even the words to best descibe this song. Calling it 'magnificent', 'brilliant', 'fantastic', 'beautiful', 'poignant', 'spectacular', 'light years ahead of it's time as it relates to the NUMEROUS wars this country is in right now', 'masterstroke', 'paramount', are just mere understatements. With all that being said as it pertains to this song thus, you'd just have to go out and buy it ! Let me add though, you'll hear in the childrens chorus, a tiny Maya Rudolph, Minnie Riperton's daughter, along with an All-Star cast of vocalists. I'm talking Patrice Rushen, Christopher Cross, Leon Ware, David Lasley, James Ingram, Randy Crawford, Rita Coolidge, the aforementioned Al Jarreau, Joe Esposito, and several other great session vocalist. This is pre "We Are The World". I could only imagine what that day was like ! {Brenda, could you please expound on what that day was like ?}
 
In closing, I'd like to say, when you're listening to an album, from start to finish, you want to feel like you've been given something, a wonderful and neatly wrapped gift. Well, this is that album for me, and I'm sure to all of you reading this that knows the power of this recording. If you have not heard this record, you owe it to yourselves to hear it, or better yet, own it. This way, you'll be given gifts for the rest of your lives. When you do buy it, I have to warn you, DO NOT, and I repeat, DO NOT loan it out to anyone ! Chances are you will NOT see it again ! I PROMISE YOU ! That will happen if you loan this baby out to anyone ! I don't care if it's your wife, your husband, your girlfriend, your boyfriend, ANYBODY ! So to avoid that from happening, do like those old school R&B infomercials and tell them, "Nah my brother, you got to get your own !!" 
 
You can preview this gem at either one of these websites :
 
 
 
Brenda Russell's Various Websites :
 
Official Website : www.brendarussell.com
 
Facebook Page's :
 
 
 
 
 
 
 
****** A MESSAGE TO ALL INTERNET AND TERRESTRIAL, a.k.a. "REGULAR", RADIO STATION OWNERS, DJ'S, PRESENTERS, PROGRAM AND MUSIC DIRECTORS {REGARDLESS OF YOUR FORMAT}, WHO JUST HAPPEN TO BE READING THIS RESTROPECTIVE REVIEW ..... ANYWHERE IN THE WORLD******
 
I strongly encourage you to visit the Amazon and/or AllMusic websites and preview the selections from "Two Eyes". After doing so, and you've enjoyed what you heard, then I HIGHLY recommend you purchase the disc. Then I urgently SUGGEST you play any of the nine selections on your respective shows. But if you feel inclined to play the ENTIRE disc, by all means, do so, the more the merrier. Please put aside the fact it was released 28 years ago and give this recording the airplay it did not receive in 1983. Great songs NEVER get old, as these songs are truly timeless, and will be appreciated by audiences in 2011, and beyond.
 
But most important, please make sure your audiences know whom it is they're listening to by displaying their name, song/album title, and any pertinent information they need to know. I'm sure a lot of you do this anyway. I say this for those that do NOT front or back announce. I GUARANTEE you, a good number of your listening audience, not all, but some, didn't know this recording even existed, and wish they had. That's how powerful this recording is
 
If anyone reading this know of someone with a radio show that may enjoy this album, please forward the link of this review to them please, and encourage them to give this CD a spin(s). They'll be happy they did so. I have one more favor to ask of you radio personnel, would you please be so kind as to let me know if you've, one, purchased it, ..... two, gave it spins, ..... and three, if possible, received any feedback from your listening audience in regards to this album, I'd appreciate it. .... But !! They won't know to give feedback if you don't tell them to.
 
So please, ask your audiences to call into your shows, if they're live, to voice their opinions, or have them submit emails to you, however you wish. Afterwards, you can either post your comments here at Ran Man's Reviews, or send me an email. My email address is ranyaworld2@yahoo.com {All information will be kept confidential and will not be shared with anyone} .... if you wish not to, I'd understand :-) ..... or better yet, become a Facebook friend of Brenda's and tell her yourself you've added songs from "Two Eyes", or any of her recordings, to your stations playlists ! There, that's better ;-)
 
The main point I'm driving here is to just give this recording ANY kind of airplay and support it so truly deserves. I'm sure Miss Russell will be eternally grateful, and so would I.
 
MISS RUSSELL, I WOULD PERSONALLY LIKE TO THANK YOU VERY MUCH FOR SHARING WITH THE WORLD, YOUR FANTASTIC PIECES OF ART AS THEY WILL TRULY WITHSTAND THE TEST OF TIME. PLEASE UNDERSTAND, YOU DID NOT RECORD THIS ALBUM IN VAIN, AS I'VE LOVED IT SINCE THE DAY IT WAS RELEASED IN 1983, AND LOVE IT EVEN MORE TODAY IN 2011. IT'S UNFORTUNATE IT DID NOT RECEIVED THE ACCOLADES IT TRULY SHOULD HAVE BACK THEN. BUT THANK GOD, WITH THE HELP OF THE NEW TECHNOLOGIES, ALONG WITH THE CHANGING MUSICAL LANDSCAPE IN WHICH MUSIC IS HEARD AND DELIVERED, "TWO EYES" WILL BE HEARD BY MANY THAT ARE NOT AWARE OF THIS MARVELOUS RECORDING. I, AS I'M SURE THE MANY FANS YOU HAVE AROUND THE WORLD, ARE LOOKING FOWARD WITH GREAT ANTICIPATION TO HEAR ANY FUTURE WORKS OF YOURS. YOU BEST BELIEVE YOU WILL HAVE MY 1,000% SUPPORT.
 
Thank You All Once Again For Taking The Time To Read This Retrospective Review & God Bless,
 
Musically Yours,
 
Ran Man

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Wednesday, April 13, 2011

Mint Condition " 7 " - { (C) 2011 Caged Bird Records / (P) Shanachie Records }

It's hard to believe that is was 20 years ago, a self contained R&B band from Minneapolis/St. Paul/Chicago, burst on the scene that would pick up where their predecessors, SLAVE, The Ohio Players, Earth, Wind and Fire, etc., left off. One of the few, if only, commercially R&B self contained bands still to this day making music, Mint Condition certainly withstood the test of time with the release of their 7th studio album, the aptly titled, "7". Released on Mint Condition's custom record label, Caged Bird Records, through a production and distribution arrangement with Newton, New Jersey based eclectic label, Shanachie Records, the band once again, deliver their brand of funk/Smooth R&B/Carribbean flavor, and of course, ballads, that will surely satisfy their rabid fanbase, and will bring aboard a new generation of believers. Let's take a closer look at the venerable, and VERY NECESSARY band to ever grace the world's stages. ...... Ladies and gentlemen ..... boys and girls ..... funksters and funkettes ..... without further adieu, I present to you ..... MINT CONDITION'S, "7".

"Can't Get Away". This opening track is both adventurous and haunting, in that it's sonic textures are layered in scary atmospheric sounding synthesizers, a delayed reverb snare, a thumped bass guitar, sweeping crash cymbals, and a monster guitar solo courtesy of O'Dell. Stokley's lead and background vocal are sung in his distinctive tenor voice that aches of wanting to be with that lady when she's not there, and you can hear it his delivery. The ending is where it gets busy with the aformentioned guitar solo, and the loud vocalized group shouts.

"I Want You". Stokley and Rick collectively as the sole musicians on this track, keeps the groove moving along, though repetitive, it's sure to get your feet moving with various major and minor chords performed on synths. The funky strummed guitar licks blend well in tandem with the bass guitar, as does the light percusssions in the background. This toe tapper is supplemented by an infectious melody that'll stay in your head, as Stoke's and Ricky's vocal parts are sung, either in conjunction with one another, or separate, it works.

"Walk On", is a mid tempo'd jazzy number sprinkled with a light and airy groove. The fretless bass guitar performed bent notes will conjure up images of Jaco Pastorious, and the strummed rhythm guitar pattern adds a coolness to this late night anthem. The sitar adds that Stylistics, Middle Eastern flavor that blends great with the Fender Rhodes, and vocal play of Stokley, Jef, and Rick. Stokley's lead vocal performace is stellar, to say the least, as he takes notes to sweet highs and pleasant lows, this song is one of the highlights of this fantastic album.

"Mind Slicker", is the only track on the album that closely resemble what you hear on urban radio today, but done MC style, san auto tune, thank goodness. It's another mid tempo track that features a synthesizer harp played throughout the track, synthesizer stabs, finger snaps, sub octave bass synthesizer performed chords and runs, that comes with the lyrical emotional depths of joy and dizzying lows of vulnerability in Stokley's heartfelt performance. It's in the breakdown where supporting drummer Brandon, Stokley and Jef on keys, O'Dell on guitar, get loose in a rockish and funky throwdown, to only bring it down to it's original mellow groove.

First single, the infectious, "Caught My Eye", falls in the long line of classic ballads MC is famously known for ... and it's doesn't disappoint either ! The live drums performed in a jazzy context, but laced in funk overtones, the smooth and mellow guitar lines, the warm sound of a REAL electric bass guitar, the cool keyboard lines, and the unmistakable vocals of Stokley, make up what will be a song that'll be played on Quiet Storm programs for years to come. The lyrical subject matter, in which you can surely figure out just by the title alone, is that what draws us fellas to you lovely and beautiful ladies out there in the first place ..... nuff said ! ;-)

"Bossalude", takes it down to familiar territory the band's ventured before, and that is the island sun setting breeze of just chillin' on a Carribbean beach with a rum punch in tow, .... via Brazil ! The extraordinary steel drum and live drum performance of Stokley,{Hey man, do you have any West Indian lineage in your family ?}, the bossa nova feel of both Rick's bass and O'Dell's guitar, alongside Lawrence El's synthesizer fills and chords, make this one of the best 2:05 running time songs they've ever done.

Album title track, "7", is a nod to their hometown, and a retrospective of their enduring career as told through the rap performed by "K". The openings notes of this tune are that of a trombone, trumpet, tuba, baritone horn, and baritone saxophone .... or so you think ? ..... psych ! They're not ! They're expertly executed by Stokley and/or Jef. That's how sharp these brothers ears are, to replicate, and do so convincingly, a real horn section, you almost couldn't tell the difference. KUDOS GUYS ! The track itself is done in a "gangsta smooth modus operandi", not hardcore, just smooth enough to bear listening to.

OK, Rick Kinchen must've just finished listening to a batch of Al Green records that inspired him to write the "Stax Records' Booker T. & The M.G.'s Studio Session Musician Era-esqe", "Ease The Pain"..... and must have had Stokley sitting next to him, to give HIM the inspiration to capture the essence of the Memphis, TN soul legend. Rick must have been so moved by Al so much to the degree, he helmed most of instrumentation himself, .... probably telling the fellas before the recording session, "You guys chill, I got this ! .... Oh ! Jef, Stoke just hold down the keyboard parts for me, I got the rest". That should give you an idea where this song went.

The mood takes a serious tone on the beautifully written and arranged Lawrence El composition, "Unsung". This Gospel inspired song features the gently performed acoustic piano lines of the composer, the church infused organ performance of guest musician, Darnell Davis, the mellow and fluid bass performance of Rick, an excellent guitar solo performance of O'Dell, and the lead vocal/live drum performance of Stokely. Guest vocalist, Tonia Hughes-Kendrick, adds a nice touch and even balance to Stokley's well tempered, but melodic lead vocal delivery. Great song !

Please refer to the audio YouTube audio of the marvelous Warryn Campbell {Mary Mary's writer/producer}, Kelly Price penned song, "Not My Daddy" in which Kelly duets with Stokley. Most of the instrumentation that consists of live drums, keyboards, and bass guitar are handled by Stokley himself. Lawrence El adds additional keyboard support to this chart topper. The melody ?, what can I say, it's just memorable and catchy. It incorporates a great sing-a-long hook, and a more than spectacular performance from the "cats" themselves.

Closing number, the very interesting, and lyrically funny, .... and quite possibly true in some people's wretched lives ..... you have "Twenty Years Later". This song has a, somewhat, ballroom dancehall/tango feel to it, if you could imagine something like that coming from Mint ..... but yet once again, IT WORKS !!! The Rick Kinchen/Stokley penned number incorporates, what sounds like, once again, a full live orchestra. Yup, you guessed it, synthesizers. I might have to call the The Twin Cities Musicians' Union Local 30-73 on these guys. .... Nah, I wouldn't do that. Stokley handles most of the instrumentation here with the exception of electric guitar, and those honors goes out to Rick. A story of a man who just doesn't seem to get it right after 47 years, is the main subject here .... one of which you would not to emulate. But the track itself smokes. It's full of grandeur, it's very bombastic, particularly as the song progress, as it's one you'll have in the repeat mode in the iPod.

PLEASE SUPPORT LIVE MUSIC AND GO SEE THESE BROTHERS WHEN THEY PLAY YOUR TOWN ! .... AND PLEASE REMEMBER FOLKS, AND I CANNOT STRESS THIS ENOUGH, BUY THIS RECORD THROUGH LEGITIMATE OUTLETS, WHETHER IT BE TRADITIONAL OR DIGITAL. YOUR FINANCIAL AND EMOTIONAL SUPPORT ARE THE ELEMENTS THAT WILL KEEP THE MUSIC IN FULL SUPPLY FOR YEARS TO COME. WHAT A BETTER WAY TO SAY "THANK YOU" TO MINT CONDITION THAN TO BUY THROUGH LEGITIMATE MEANS. THEY TOO HAVE FAMILIES TO SUPPORT, AS DO THE EMPLOYEES AT SHANACHIE RECORDS, JUST LIKE YOU. PUT YOURSELF IN THEIR SHOES, YOU WOULDN'T WANT SOMEONE, OR ANYTHING, TAKING FOOD OUT OF YOUR MOUTHS, NOW WOULDN'T YOU ? .... WELL, THAT'S WHAT ONE DOES WHEN THEY ILLEGALLY DOWNLOAD AND, STILL, BUY BOOTLEGGED COPIES. IF ANYONE OFFERS TO BURN YOU A PHYSICAL CD, PLEASE DECLINE THE OFFER, AND TELL THAT PERSON(S), "THAT'S NOT RIGHT MAN ! ... OR GIRL, THE MINT DOESN’T DESERVE THAT" .... STOP THAT VICIOUS CYCLE. IT STARTS WITH US, THE CONSUMER. ON BEHALF OF MINT CONDITION, SHANACHIE RECORDS, AND THE MANY ARTISTS WE ENJOY LISTENING TO, I LOVINGLY SAY, THANK YOU VERY MUCH !

Musically Yours,

Ran Man

PROPS ..........

Thank You Very Much Jeff Taube For Everything ! Your Friendship ?? .... PRICELESS !! 

Thank You Very Much O'Dell .... Speaking of which, did someone ever walk off with that Rick James Live DVD ??

Thank You Very Much Lawrence "El" Waddell .... How's that Queen Rock Montreal DVD treatin' you ?! 

Thank You Very Much Ricky Kinchen .... For just bein' cool, .... and NOT lettin' anyone walk off with your Rick James Live DVD !

Thank You Very Much Jeffrey Allen .... and just how many times are u gonna watch that Steely Dan "Aja" Classic Album DVD man ?!?!

..... and last, but certainly not least, Thank You Very Much Stokley .... for that voice, and you just bein' a good friend !

..... and Thank You Very Much Shanachie Records for believin' in these talented musicians, and just all around good people, my boys, Mint Condition !

Official Website : www.mintconditionmusic.com

Facebook : www.facebook.com/#!/mintconditionmusic

MySpace : www.myspace.com/mintconditionmusic

Reverb Nation : www.reverbnation.com/#!/mintcondition

Twitter : www.twitter.com/mcondition?utm_source=fb&utm_medium=fb&utm_campaign=mcondition&utm_content=57854744470884352&ref=nf

You can purchase a copy of "7" at Amazon.Com : www.amazon.com/7-Mint-Condition/dp/B004NCOQZG/ref=sr_1_1?s=music&ie=UTF8&qid=1302633124&sr=1-1

FOR BOOKING INFORMATION:

CONTACT:

Larry Shields

The Agency Group

(310) 385-2800

larryshields@theagencygroup.com




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Thursday, April 7, 2011

Jill Scott "Lovely Day" { Single } - {C&P 2011 Hidden Beach Recordings }

The beautiful and talented singer/actress, Philly native, Jill Scott, returns to the recording scene after a lengthy hiatus, to bless the world with an excellent rendition of the Bill Withers 1977 classic, "Lovely Day". ...... and what a lovely single it is ! This amazing version will appear on the forthcoming Hidden Beach Recordings release, "Just Before Dawn : Jill Scott From the Vault, Vol. 1"

She more than did the song justice as the rhythm arrangement is pretty much the same as the original. From her stellar vocal performance, to the live instrumentation, this will surely race up the R&B Singles charts and pick up more than a few new fans, to the previous ones that grew up listening to her. Let's take a quick peep of a song that will only put her BACK over and beyond the music industry's radar.

The intro is very identical to the original, but it's performed with it's own unique flare and pizzazz. That "pizzazz" consists of a funky and happy bassline, accompanied with the snaky slivery high hit, with the shaker, rounded out by a warm Fender Rhodes piano. The lightly plucked grooving notes of the rhythm guitar supplements the overall feel good vibe of the tune. Jill's vocal delivery is very soft and whispery at first, but gradually builds to the strong powerhouse singer that she is. Her occasionally jazz like scats and fills is what really bring this track home. Her background vocalists sound just as on point, on key, and confident, as they magnificently support Jill lead vocal parts.

Bill Withers will MORE than approve of this version when he hears it. I wouldn't be a bit surprised if he got a little upset at Jill for her NOT inviting him to sing along, as I'm sure he would've want to sing with the background vocalists. Of course I wouldn't know if Bill would get upset for not contributing, but you best believe he will probably give Jill and all involved his thumps up of approval. So go out and purchase the single at all fine digital and/or traditional retail outlets.

Please remember NOT to download illegally and not to partake in the illegal file sharing of this song, as well as Jill's forthcoming album. You want to show your true love for Jill and her gift of song, do the right thing and purchase the right way, particularly the forthcoming full length project. Thank You.

Musically Yours,

Ran Man

Please visit Hidden Beach's Official Website at http://www.hiddenbeach.com/

Please visit and become a friend of Hidden Beach at MySpace at : http://www.myspace.com/hbrmusic

Please visit Jill Scott's Official Website at : http://www.jillscott.com/

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Stanley Turrentine "Tender Togetherness" { Originally released in 1981 on Elektra Records / Reissued for CD in 2005 on Wounded Bird Records ..... Yes, you read that right, Wounded Bird ..... Don't ask me, I still haven't figured that one out yet :-( ..... AND DON'T WANT TO EITHER !!!! }


The late great tenor saxophonist, Pittsburgh, Pennsylvania native, Mr. Stanley Turrentine, best known as "Mr. T", delivered one of his finest albums in 1981 on the Elektra Records imprint, titled, "Tenderness Togetherness". He was the original "Mr. T" light years before the thick gold chained, mohawk wearing, former bodyguard turned "A" Team actor the past couple of generations now call Mr. T. Stanley was indeed the first, and will ALWAYS be, "The Original Mr.T". This milestone recording was produced by none other than Denver, Colorado native, and former Earth, Wind, & Fire keyboardist/songwriter/co-producer, and musical director throughout the EWF era that mattered the most, {1972-1983}, the GOD BLESSED, and super talented, Mr. Larry Dunn. This nine selection "Rembrandt" of a recording run the gamut from funk, dance, part rap, ballads, to smooth jazz and R&B, DONE RIGHT !!! There's no better way for me to commemorate the 30th anniversary of this groudbreaking project, but to give this classic it's looooooooooong overdue props. ........ So ladies and gentlemen, I present to you ......... Mr. Stanley William Turrentine's "Tender Togetherness" ......... (((( This is where you applaud ........ C'mon now ! PUT THOSE HANDS TOGETHER !!!! )))

Besides Larry handling most of the keyboard duties, this album feature a wide variety of the best musicians the west coast had, and still, has to offer. They include session drummer great Leon "Ndugu" Chancler, super Contemporary Jazz group Fourplay bassist Nathan East, Larry's then fellow EWF bandmates, guitarist Roland Bautista, Freddie White on drums, Andrew Woolfolk on saxophone, Ralph Johnson and Philip Bailey on percussions and vocals respectively. In addition, Larry's brother Steven Dunn helped out in the drum chair, as well as percussion, as well as venerable session bassist, Byron Miller. Session monster Paulinho Da Costa came on board and graced this project on various percussions. Guest synthesizer wizards to lend their extraordinary talents included Tom Piggott, Denzil A. "Broadway" Miller, Jr. & Jeff Johnson. Also featured are the blazing brass and woodwind quartet of The Phenix Horns, consisting of the late Don Myrick on Saxophones, the late Louis Satterfield on Trombone, Michael Harris on Trumpet, and last, but certainly not least, Rahmlee Michael Davis on Trumpet. Many great 'first call' session musicians and singers contributed their God given talents to this record to help me it the creme de la creme recording that it is. Let me add that the strings are beautifully arranged and conducted by the virtuosic, Mr. George del Barrio. Now let's spotlight some of the highlights of this "8th Wonder of The World".

...... but before we do that, I ABSOLUTELY AND POSITIVELY have to give an honorable mention to the recording/mixing engineer, Mr. Chris Brunt, and his more than competent assistant engineers, Mr. Dennis Hansen and Mr. Warren Weinberg, as well as the mastering engineer, Mr. Ken Perry, for blessing this record with their more than sharp ears and overall sense of musicality. Kudos to those gentlemen for making sure every instrument was miked properly, every 2 inch, 1/4 inch, and half inch tape machine was aligned properly, as well as to make sure the recording console was fully operational so that each track and their levels are at their maximum capability. A special acknowledgement goes out to Indigo Ranch Studio owner, Mr. Richard Kaplan and his wife (I don't know her name unfortunately, but I'd like to Thank her nonetheless for keeping Richard and the studio at their very best), and to their staff for making sure Stanley, Larry, as well as every participant on this record, feel at home and comfortable in order for them to give their 1,000% best to make this album possible. BRAVO EVERYONE !!!

"Hermanos" {Beautifully written & arranged by Eddie del Barrio & Larry Dunn} : This 5:37 opus begins with a haunting, yet ethereal sounding landscape of sweeping percussions, sweet sounding chords of the acoustic piano, in tandem with the earth tonal notes of the Mini-Moog, then breaks into funk throwdown that'll make it so hard for your feet NOT to move. The one thing I love about the track, besides Stanley's dark and husky performed tenor sax lines, is Roland Batista's funky chicken scratch rhythm guitar parts. Nathan East just kills it with his solid bass guitar fretwork and groove, as he plucks, strums, and bended notes on the Yamaha bass (I'm not sure if that was his brand of choice then, but it sounds like he used an Alembic, I'd have to ask him) Of course Larry and Eddie del held it down on the electric piano and synthersizers, respectively. The song is a fantastic start to a more than above average album.

"I'll Give You My Love", is a nice drop top convertible, cruise along the Pacific Coast Highway, or I-95, type of song that'll have your hair blowing in the wind as you have it cranked to 10. Stanley and his tenor sax entertains with a soulful and jazzy vibe that coincides marvelously with the Phenix Horns' undeniable trademarked sound. The coo'ing, soothing, and beautifully tempered background vocals of session stalwarts, Ms. Marlena Jeter and Ms. Gwen Matthews, gives this track a well even balance. Another standout element you'll notice is the rhythmically dynamic Fender Rhodes and Clavinet performance of Denzil Miller, as Larry gives it the Mini-Moog Bass support that is felt, more than heard. Roland Bautista's, once again, lightning fast guitar licks, Byron Miller's thumping bass, and Ndugu's steady backbeat culminates to a party jam that you'll play for days on end. Great song !

"After The Love Is Gone". This 1979 Earth, Wind & Fire golden chestnut is MASTERFULLY, BRILLIANTLY, & VALIANTLY remade here that, to me, gave the original a serious run for the money. Don't get me wrong, I love the EWF version, always have, and always will ! .... Bu .... bu ...but I'd much rather listen to this version, than EWF's version. ...... and why, you ask ? ...... I'll tell you why. Well, simply put, it sounds better, sonically and arrangement wise, that's why..... and here are the other reasons why. Number one, some of the cats that played on the original, and made the original shine in the first place are playing keyboards, drums and horns ....... and we all know whom they are, so I DON'T have to say their names, Larry Dunn, Freddie White, and The Phenix Horns, accompanied by Jerry Hey on trumpet and flugelhorn, and Sidney Muldaow, David Duke on french horns ........ and two, Stanley's warm as a cup of hot chocolate on cold winter's night tenor sax performance. Now let's talk about some of the performances of the musicians that brought this spectacular version to life. This song benefitted from Roland Bautista's light and gentle pluckings, as well as his airy strums on the acoustic guitar, Nathan's superflous bass playing that added the 'meat and potatos', Freddie's 'on the one spit and glue' drumming that keep the musicians on point, and Larry's omnipresent Mini-Moog. The great percussion work of Steven Dunn added a feeling of 'completeness' to the song at large. Oh ! How could I forgot the heavenly sounding vocals of another session vocalist behemoth, Ms. Lynn Davis. She made this song an absolute joy to listen to. It's perfect ! ..... You don't have to take my word for it, just listen for yourselves at the botton of this review.

One of my favorites on this album, and quite honestly, one of my favorite songs of all time, is the Steven Dunn composition, the magnificent "World Chimes". With the author of this tune himself on drums, he knew exactly how to keep the good vibes flowing with his emotion filled, well paced feet and arm work. Larry's tried and true Mini-Moog Bass excursions is just what the doctor ordered, a funky flow, and cure for the bored foot wanting to get it's tap on. Roland's 'wall of sound' guitar fingered fretboard duties blended real nicely with Nathan East's 'stroke of genius' 4 stringed bass guitar performance. But what really sent me into orbit is the bass trombone notes of another session monster, Bill Reichenbach. He played sub octave notes rarely heard on a groovy sounding record. Another highlight for me was Larry's masterpiece performance of the higher registered played notes on the Mini-Moog in tandem with the string section. Together, they sounded one and the same, EXCELLENT ! .... and let's not forget Mr. T and the fine sax playing he displayed here. It's always in tune, and he's always challenging the tenor saxophone to produce sounds the instrument itself never knew could come up with.

To close this 'Eiffel Tower', 'Mt. Rushmore', 'Grand Canyon', 'Lunar Eclipse', 'Denver Eisenhower–Johnson Memorial Tunnel' of an album ...{Smile Larry} ... I present to you, the funk fused party, and Stanley Turrentine anthem, one of them at least, "Havin' Fun With Mr. T". This song is sooooooo funky, I can't even describe it ! Which means you'll just have to whip out the credit card and purchase the CD to hear for yourselves ...... Yes, I went there ! :-) ....... and don't even bother to try and find it on YouTube or Daily Motion, because you won't. Listen, ladies and gentlemen, I would NEVER steer you wrong when it comes to music. You just have to trust me on this one and buy this CD, you WILL NOT be disappointed, I GUARANTEE IT !! With being said .........

I'D LIKE TO DEDICATE THIS REVIEW TO GOD FOR BLESSING ME WITH GIFT OF LIFE, AND TO BE ABLE TO, ATTEMPT, TO WRITE REVIEWS TO KEEP TRUE MUSIC LOVERS OF THE WORLD INFORMED. SECOND, I'D LIKE TO DEDICATE THIS REVIEW TO THE WONDERFUL SPIRIT OF MR. STANLEY TURRENTINE. THOUGH WE'VE NEVER MET PERSONALLY, I FEEL LIKE WE HAVE THROUGH YOUR SONGS. THEY HAVE BEEN, AND WILL ALWAYS BE, A PART OF ME GROWING UP AS AN ASPIRING MUSICIAN. THANK YOU !

LAST, BUT DEFINITELY NOT LEAST, I'D LIKE TO DEDICATE THIS REVIEW TO MY 'BROTHER', MR. LARRY DUNN. LARRY, I'M TRULY HONORED AND BLESSED TO HAVE YOU AS A FRIEND. OUR FAMILYSHIP GOES BEYOND THE EARTH, WIND AND FIRE THING, IT'S A MUTUALLY SPIRITUAL BONDING I WILL CHERISH FOR THE REST OF MY LIFE. YOU DID AN AMAZING JOB ON THIS ALBUM AND GOD WAS RIGHT THERE WITH YOU EVERY STEP OF THE WAY, HENCE THE RESULTS OF THIS MASTERPIECE. GOD BLESS YOU AND YOUR LOVELY WIFE, MY SISTER, LUISA DUNN ! ..... AND GOD BLESS TO THOSE THAT TOOK THE TIME TO READ THIS REVIEW, I THANK YOU ALL !!

Musically Yours,

Ran Man

Visit and become a friend of Stanley Turrentine's Tribute Page on MySpace at, {Make sure you're logged on first} : http://www.myspace.com/stanleyturrentinetribute

Become a friend of Larry Dunn on Facebook at, {Make sure you're logged on first} : http://www.facebook.com/home.php#!/LorenzoDunn

Visit Larry Dunn's Official Website at : http://www.larrydunnmusic.com/

Visit and become a friend of Larry Dunn on MySpace ..... if MySpace is even relevant at this point, at {Once again, make sure you're logged on} : http://www.myspace.com/larrydunn

You can purchase "Tender Togetherness" for only $10.98 directly from CD reissue record company, ........... ((((gulp)))) ........ Wounded Bird Records : http://www.woundedbird.com/

-OR-

....... You can visit the Amazon.Com page where you can get a copy of this album YOU FORGOT to purchase 30 years ago, ....... but never too late to redeem yourself : http://www.amazon.com/gp/product/B0009E3284/ref=s9_simh_gw_p15_d0_i1?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=1X7B9C89SDF834MX3SFE&pf_rd_t=101&pf_rd_p=470938631&pf_rd_i=507846


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Monday, April 4, 2011

Howard Johnson "The Vision" { Originally released in 1985 on A&M Records / Reissued for CD in 2010 on PTG Records }


When you hear the name Howard Johnson, the first thing that'll more than likely come to mind will be the budget hotel chain. Well, along with the other 10 million people of the same name, there's only one Howard Johnson with the "Golden Voice". A native of Coconut Grove, Florida, Howard set the worldwide dance floors on fire with his A&M Records single,"So Fine", which was taken from his magnificent Kashif, Paul Laurence, and Morrie Brown produced A&M debut, 1982's "Keepin' Love New". The album that followed, the overlooked and equally brilliant 1983 A&M release, "Doin' It My Way", produced by The System's David Frank & Mic Murphy, didn't quite catch on the way it should've. Still, "Doin' It My Way" contained many great songs that should've catapulted Hojo into the stratosphere.

On this particular album, his third A&M release, the brilliant and well crafted, 1985's "The Vision", Howard takes the funk and dance music to an entirely higher level. The tracks, though largely drum programmed and synthesizer driven, except for one song, the Jermaine Jackson produced, "All We Have Is Love", are sequenced like that of a storybook romance. They almost chronicle a young man's sheer will, determination, pursuit, and victory of a woman's heart ..... only to have it crash down when she dumps him, hence the last song, "Older Girl". Let's do an Average White Band and check out the "School Boy's Crush" adventures of that young man as told through the vocal chords of Howard Johnson.

Opening track to this CD EVERYONE should have in their collection, is the funky bounced and lively, "Stand Up", written by Hojo himself, along with the late great and talented, Jerry Knight of "Ollie & Jerry" fame, best known for their 1984 break dancing smash, "There's No Stoppin' Us", as well his solo 1980 roller skate classic, "Overnight Sensation". The bass synthesizer here takes our mind on a trip with it's staccato performed lines, as the snare patch whips our necks about mercilessly. The drum machine execution of the handclaps, high hat and kick drum does exactly just that, KICKS ! Hojo's vocals are nothing short of superb, as he flexes the muscles of his larynx with a combinations of runs, high notes, acrobatics, some of which would cause permanent damage to a lot of the new male singers out there now. ..... Hey! I'm only telling you truth !! ...... Oh ! You don't believe me ?!?! Then check out the song below this review and hear for yourselves ! Humph ! ........ ;-) LOL !!

Now, the next song, "Knees", was released in 1985, correct ? ..... Correct. ....... OK, Keith Sweat burst on the scene in 1987, correct ? .... Correct. ..... Keith should've hired Howard as a consultant as he was recording "Make It Last Forever", for some tips on how to PROPERLY BEG !! I could see it now, Hojo saying to Keith in the control room of the studio, ...... "Nah! Nah! Nah! Keith! Keith! Keith! you're doing it all wrong ! This is how it's done! Pay close attention" ..... then Howard would've ask the engineer to cue up "Knees" and have it blast through the monitors so it could soak in. .... But it worked out for Keith in the end as he himself mastered the art of begging as his career progressed ....... LOL ! ;-) ...... Now, I just gave you the lyrical subject matter of this song here of which Hojo pulled off like a true champ ..... particularly when he said, "While I'm down here ... what do you want me to do ??!!" ..... in a British accent !! ..... Me personally, I thought the brother was from the UK when I heard that !! But the Jimmy Jam and Terry Lewis written and produced track itself kicked ass like a, well, Jam & Lewis track !! Those elements of a Jam & Lewis production, during that time period at least, consisted of sub octave bass synthesizer notes, Oberheim OB~X keyboard runs, sustained droned synthesizer soundscapes, heavy and bombastic snare and kick Linn LM-1 drum programmed sounds, and reversed handclaps, the usual suspects. Funk at it's finest, that's all.

"So Tuff", produced by the extremely talented, but yet underrated, and music industry accolade overlooked production team of Vincent Brantley & Rick Timas, is yet another head bobbing funk throwdown that fits like a hand in glove with the other well crafted songs on this album. It's worth noting that Vincent & Rick wrote and co-produced the 1984 New Edition hit, "Cool It Now", as well as N.E.'s 1985 hit, "Count Me Out". The production values heard here are nothing short of spectacular. Along with the well layed synthesizers, and drum programmed hi-hat/snare/kick drum/cymbal crashes, you'll hear the sleek and downright funky licks of the electric rhythm guitar. Another fantastic element of this song that stands out to me are the background vocals. Their presence is pretty much in your face as they're mixed much louder than normally would be allowed, according to most recordings we hear ..... and who's to say they should or should not be ?! WHO ?! They're in tune, in harmony, and blend really well with Howard's powerhouse vocal delivery. Once again, Hojo sings the verses and choruses effortlessly as only a REAL singer could ! Homes sung a high registered falsetto run in the bridge that would've, once again, sent a lot of these male singers out today into cardiac arrest. ..... and if you're one of those singers reading this, please, don't try to replicate what Howard does on this album. I don't think your record company will flip the bill for your hospital stay. Besides, you're probably already knee deep in debt to them anyway, so why go there ? :-( ....... Just leave it to the pros, OK ?! :-/ ........... Good ! I thought so :-)


Now comes heartbreak time. Here's where it all come crashing down for a brother that was turned out, turned in, and spat out. I'm referring to the Monte Moir written and produced cougar anthem, "Older Girl". The mid range sounding, and not so bottom endy bass synth performance, pretty much carried the melody throughout the song which gave it the "umph" it needs. In addition to the same types of synth's more than likely used by Jam & Lewis, and the oh-so-ever-present drum programmed grooves of the "hi-hat/snare/kick drum/cymbal crash", they meshed very nicely with Howard's emotion driven storytelling performance. His doubled background vocal parts, fills, and overdubs were recorded and mixed very nicely. Kudos to engineer Steve Weiss for that. A great ending to a great album.

After this recording, Howard returned to scene 4 years later with, YET ANOTHER, overlooked project, 1989's self titled album, "Johnson & Branson" on A&M Records. It's reassuring to know Hojo is still to this day recording and performing, ..... and sounding better than ever ! ....... Once again, you don't believe me ?! ..... This is really getting tired :-/ ..... Go see for yourselves in the live performance clip below the "Kness" video. Like many solo male, and female R&B singers during that time in '80's, Hojo never really got his just due. Yes, he's had hits, but they were mainly relegated to urban radio ... and nothing else beyond. But what's really sad, to me at least, urban radio at the time, didn't even support this record. I didn't hear not ONE song from this album on the radio here in NYC in 1985 ..... Hell, they didn't even play any songs from the "Doin' It My Way" album in 1983, and it's a damn shame !! .... and NYC is suppose to be the world's largest radio market ?! YEAH RIGHT !

But thank God, we have internet and satellite radio to play those songs terrestrial radio, politically, did not program during that time .... and STILL to this day, not programming. So I strongly encourage those reading this review with Funk, R&B, Soul, Hip Hop, or whatever, internet radio shows worldwide to play, not only Howard's recordings, but other artists that weren't given the time of day during their so-called, run. Please reintroduce, and in some cases, introduce Howard to a new generation of listeners and aspiring singers. Cool ?! ........ COOL !! :-)

Musically Yours,

Ran Man

Become a friend of Hojo's on Facebook : http://www.facebook.com/home.php#!/HowardjohnsonSofine

Pick up this "PICASSO" of an album here : http://www.vinyl-masterpiece.com/howard-johnson-vision-p-1456.html



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Thursday, March 31, 2011

Mary Mary "Something Big" { Copyright 2011 : Published 2010/2011 My Block/Columbia Records }

Inglewood, California born and raised sisters, Erica and Tina Campbell, known to the world as Mary Mary, returns on the scene with their 5th proper Columbia Records release, the largely Warryn Campbell produced, "Something Big". Following the successful 2008 Grammy winning album, "The Sound", Mary Mary continues with their uplifting, positive, and spiritually moving lyrics and soundscapes. "Something Big" will undoubtedly win the duo more Grammy Gold at the 2012 ceremonies, including more Dove Awards to add to their, already, overflowing award encasements in their respective homes.

This 12 selection MASTERPIECE run the gamut from party grooves, mid tempo numbers, with a tinge of Alternative Rock infusions. This album has something for everyone, no matter what race, color or creed. It's universal filled messages of hope will certainly strike a positive chord with those with an open ear, but most important, an open heart. Let's check out some of highlights of this bonafide winner.

Opening and album title track, "Something Big", is a replayed sample of the intro from The Jackson 5 classic, "Mama's Pearl". What you'll hear is something that's rarely heard in today's R&B, live instrumentation. That instrumentation consist of live drums, funkfully performed by Tina's husband, Teddy Campbell. Erica's husband, Warryn Campbell, throws down on the electric bass and keyboards, Fender Rhodes in particular. This lively and up tempo'd track is rounded out by the funky licks of Jarius Mozee on electric guitar. Tina's and Erica's dynamic and emotionally charged vocals, both lead and background, stand front and center as they sing lyrics of how GOD changed their lives for the better once they've accepted him.

"Blind", is mid tempo'd funkdified head bopper that commands your attention upon first listen. The keyboard of choice utilized here performed by Warryn, I presume, is the one used in a lot of today's R&B, the Roland Fantom X8 synthesizer. His keyboard fills compliments this rhythmically fueled programmed track, and lead vocal quite nicely. The background vocal chants and overall presense, creates an even more festive mood just right for partying. The lyrical subject matter is one of how GOD unconditionally loves a torn and tattered heart, no matter the damage. It's a heartfelt and moving tune that one can truly appreciate.

Please refer to my previously published review of the first single, "Walking", here :

"Survive", takes it back to the soulful sounds of the '70's ala Marvin Gaye and Curtis Mayfield, as once again, live instrumention rules supreme. The free and flowing electric bassline, the percussion of the shaker, congas and tambourine supplement the steady backbeat of the live drums. The harmoniously sung lead vocal and accompanying background vocals, adds depth and character to lyrics how one is able to live through life's challanges. The Hammond B3 organ and electric guitar performance gives this song that extra flavor that will you have this on the repeat mode in your iPod.

"Sitting With Me", falls more in line of the Contemporary Gospel genre than what we're use to hearing from Mary Mary, and it works quite well here. The live rhythm section delivers a hard driving, and an occasionally toned down performance, that supports the lead and background vocals quite effectively. The lyrics sung here are that of a saved soul not caring what the world thinks of their walk with GOD, which is something a lot can relate to, particularly if they've accepted Christ as their Lord and Savior.

"Homecoming Glory", is wonderful closing track that incorporates elements of folk, and tinges of country in the melody. The acoustic guitar holds center stage as it's strummed with the fervor and character of Richie Havens, whom will certainly come to mind when you hear it. The light percussions heard in the background, and the gently plucked bass guitar, all blend in perfect sync with Erica and Tina's sweet and distinctive vocal performance. Though the lyrical content is that of one's eventual passing and going home to the Lord, they will not depress you in any form or fashion. It's rather uplifting and inspiring if anything. Nonetheless, you'll enjoy this song, as well as the songs I did not cover.

But I guess you'll have to buy the CD, or download it to hear the rest, now don't you. Seriously though, please support the Sisters Campbell by purchasing the physical CD at outlets that sell music legitimately and online. That's one to way to keep quality music alive and fresh. Just as you wouldn't want someone or something to taper with, possibly, one of your income streams, that's what one does when they download illegally. But knowing the rabid fan base Mary Mary have in place, I hope and pray not one does not succumb to such a habit, whether is them or any artist(s) they enjoy. It's just wrong, plain and simple. Enjoy everyone !

Musically Yours,

Ran Man

Official Website : www.mary-mary.com

Facebook Page :http://www.facebook.com/home.php#!/MaryMary

MySpace : http://www.myspace.com/therealmarymary

Sony Music's Official Website : www.sonymusic.com
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